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**Adobe Creative Suite 5, Photoshop CS5** Adobe launches the latest version of its bundle of apps on October 1, 2008 (at a suggested retail price of $699). With the purchase of the Creative Suite, you also get 2GB of online storage for all of your digital files, a set of interactive art templates, and new features to enhance your images.

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This tutorial will show you how to apply tweaks to images in Photoshop Elements. You’ll learn how to convert images into black and white, how to change the color of an image, how to use a few different photo-editing tools, how to change the visibility of elements in your photos, and how to use several tools to remove unwanted objects, text, etc. in images. All of the following steps will work on any version of Elements that runs on your computer. Here’s what you’ll learn in this tutorial: Using Filter and Adjustment Layers The Filter and Adjustment Layers panels in Photoshop Elements are much simpler than those in the fully-featured Photoshop, so you’ll use them a lot. A Filter Layer is a layer that acts as a light source on your image and lets you add a filter to the image. An Adjustment Layer is a transparent layer that lets you manually control some of the light, color, and exposure on your image, and then let the other layers adjust them. For example, lets say you want to make the sky blue, and change the color of some other part of your image to make it more neutral. You would add a “Sky Blue Adjustment Layer”, move it below the “Illumination (Red)” Filter Layer, and drag down until it intersects the “Light Blue” Filter layer in the panel. There, you’ve edited the colors of your image by adding an Adjustment Layer. You can adjust brightness and contrast by dragging the slider at the bottom-left of the panel. (You can also adjust the exposure in the photo editor, but that’s something to do later when you’re finished editing.) You can edit the opacity of a layer. If you double-click on the layer name, you’ll see the slider at the bottom of the panel. If you drag it up, the layer will become more transparent, and it will visually affect the image more. More efficient ways to work with Filter and Adjustment layers The Layer tab is the fastest way to access all of the adjustments you can make to an image. You can adjust the exposure of the image by dragging the Exposure slider, and you can adjust the visibility of elements in the image by clicking and dragging them to a different layer in the Layers panel. You can see a bird� 05a79cecff

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An Encoding Parameter is an Image Coefficient that projects a image of the best quality on your computer screen. It can be adjusted in special ways. This is why it is actually a setup process, not just a single number. Understanding the Image Coefficient – An encoding parameter is a bit like an ad hoc setting. It is similar to the thing that makes you smile; the way you are attracted to certain things; or your desire to “go for it”. This is important; because when you add all the parameters together – your encoding parameter (or better still, the value of one of the parameters) is what makes the difference between a great image and a “just okay” image! Here is how it works: The image is digitally captured by your camera. The digital camera captures the light which is reflected by the object you want to photograph. This light is converted into electrons by the CCD (charge-coupled device) chip. These electrons are “pixels” that can be added up. By choosing a colour space like the sRGB or Adobe RGB colour space, we choose the system where the camera will display pixels in. Every pixel has its own colour – the more colours the pixel has, the more detail it contains. The less colours a pixel has, the less detail it contains. This is why your camera has to be able to display colours in a particular space. It would not make sense for the camera to make huge pixels in one colour space and tiny pixels in another colour space; as it would not display detail. The same principle applies to computers. If you click on the CUE button (colour encoding) in Photoshop, you see the picture in the LAB (like a colour wheel) colour space. It is important that the pixel shapes and colour ranges match those of your monitor. The software does not know or care what technology is inside your monitor, other than that it should have many colours and that the hue should match with the ones in the image. If the colours do not match, the image will look dark or white. If the image has more colours than your monitor can display, the colours will be magenta or yellow; or white. The reason we use the Adobe RGB colour space is that it is considered as the most accurate colour space on the market. Another thing

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In Illustrator, there are dozens of shapes and tools that can be used for various effects, and particularly for creating visual elements. There are basic shapes like rectangles, circles, squares, and polygons, and they can be combined to create 3D models. There are also vector-based tools like Illustrator’s Pencil tool or the Pathfinder tool, and fill and stroke tools that you can use to create more sophisticated shapes, such as stars, text and tables. In GIMP, both the Paintbrush and various filters can be used to enhance images. With the Paintbrush tool, you can draw lines, shapes or doodles in different colors to define borders and shapes for later use. Pixels can be removed with the Clone tool, much as they are in Photoshop. You can also easily change the color or transparency of any area of your image. GIMP also includes filters, which are like Photoshop’s best effects, such as noise and sharpening filters. In Fireworks, you can use the Rectangle tool or the Ellipse tool for the most basic shapes. There are also more complex tools like the Path tool for creating complex shapes and the Pen tool for various line and sketch effects. Fireworks also includes many of the Photoshop’s best features, such as the Levels and Curves tools, and the Filters and Adjustments panels. Other A toolbox for the different objects you can create, and a tool palette will be found in most image editing programs. In a traditional graphic design program, you’d have a drawing window that you could use to draw objects in. You can export those objects to other software, such as Photoshop. See also Blend Graphic design Collage Scrapbooking Videography Photo montage Compositing Digital image editing User interface References External links Graphic design course with a focus on photo montage in Adobe Photoshop Category:Image processing Category:Computer graphics Category:3D graphic design Category:Computer art Category:Graphic design Category:Digital media formats Category:Design Category:Web design Category:Text graphics Category:Digital photography Category:Web development Category:Symbolic media Category:Photographic techniques Category:Computer-related introductions in 1985[Glossaries and

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